A French patinated & gilt-bronze figural clock. Late 19th century, the twin-train movement with ''Vincenti et Cie Medaille d'Argent'' seal and stamped ''7135'', and further stamped ''Roblin a Paris'', the case inscribed ''berquin'', the circular white enamel dial white with blue Roman hours and black Arabic minutes, and gilt pierced hands set within a shaped oblong white marble base surmounted by two putti studying books.
A massive pair of French ormolu-mounted malachite twelve-light torcheres Late 19th Century, The malachite 20th Century Surmounted by a knop finial and scrolled candlearms, supported by four grotesques, the baluster uprights with acanthus leaf collar and gadrooned shoulder and applied with masks and swags, on circular socles with laurel foot above a square base 90½ in. (230 cm.) high (2)
A Faberge silver gilt and shaded cloisonne enamel kovsh, workmaster Feodor Ruckert, Moscow, 1908-1917. The raised prow shaped as a rooster's head, the pierced upswept handle shaped as a stylized rooster's tail, the body enameled with stylized scrolling flowers on a cream ground. The rim is bordered of wire colis and translucent green lozinges on a red ground.
A Russian silver gilt and cloisonne enamel kovsh, Moscow, circa 1896-1908. Of traditional form with raised prow, the oval body completely decorated in multi-color shaded enamel floral and foliate scroll motifs against a cream ground, the shaoed handke similarly worked. An oval cloisonne enamel cartouche featuring a swan and aquatic plant life is centered on the interior.
A Russian silver gilt and shaded cloisonne enamel three handle cup, Feodor Ruckert, Moscow, circa 1896-1908. Baluster form, the lower section with lobed cartouches enameled wit hgriffins and stylized floral and foliate sprays on red, blue and olive grounds, the upper section enameledd with flower-heads and stylized floral and foliate sprays on a cream ground. The handles decorated with similar decoration.
A Russian silver gilt and plique-a-jour enamel beaker by Ovchinnikov, Moscow, circa 1908-1917. Of tapering cylinsrical form on a flared foot, the body worked in arched panels of multi-color stylized foliate motifs beneath a band of circular roundels, the rim and foot with applied cloisonne floral bands.