Historical Dresses and fashion

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an old fashion photo of a woman leaning on a fence with her hand on her hip
Despre eleganţă şi Coco Chanel
Coco Chanel
a woman in a dress and hat standing next to a map
paris france | Tumblr
Louvre, Paris, classic fashion.
Lucile (Lucy, Lady Duff Gordon) Blue figured silk evening dress with gold net sleeves and train embroidered in gold metal strip and decorated with blue gems and tassels, 1911.Worn by Esme Giffard (née Wallace), daughter of Lucile, to celebrate the Coronation of King George V in 1911 and later altered for a Ball in 1919 Lady Duff Gordon, Fashion Museum, Edwardian Clothing, Silk Evening Dress, King George V, 1910s Fashion, Museum Fashion, Edwardian Dress, 20th Century Fashion
Great names of Fashion on display.
Lucile (Lucy, Lady Duff Gordon) Blue figured silk evening dress with gold net sleeves and train embroidered in gold metal strip and decorated with blue gems and tassels, 1911.Worn by Esme Giffard (née Wallace), daughter of Lucile, to celebrate the Coronation of King George V in 1911 and later altered for a Ball in 1919
Victorian vintage hat. Steampunk Mode, Moda Steampunk, Robes Glamour, Victorian Hats, Steampunk Women, Steampunk Hat, Mini Top Hat, Top Hats, Victorian Steampunk
Pick Me! » Search Results » halloween party
Victorian vintage hat.
Stays made from 1780 pattern by Norah Waugh from Corsets and Crinolines. Waverly cotton Toile de Jouy, cotton denim, cotton trim, and basket reed boning. - by Bridges on the Body Luxe Lingerie, 18th Century Clothing, Mode Costume, Corset Fashion, 18th Century Fashion, Century Clothing, Moda Vintage
rooster stays
Stays made from 1780 pattern by Norah Waugh from Corsets and Crinolines. Waverly cotton Toile de Jouy, cotton denim, cotton trim, and basket reed boning. - by Bridges on the Body
Robe à l’anglaise”, painted medallions after Angelica Kauffmann  France, circa 1787 Silk, gold thread embroidery, silver glittering spangles,  embroidered and painted motifs on appliqué taffeta medallions - a dress from The Duchess is modeled after this! 1770s Stays, 1770s Fashion, 1700 Fashion, Historical Gowns, 18th Century Women, 18th Century Dress, Rococo Fashion, 18th Century Costume
Musées / Monuments
Robe à l’anglaise”, painted medallions after Angelica Kauffmann France, circa 1787 Silk, gold thread embroidery, silver glittering spangles, embroidered and painted motifs on appliqué taffeta medallions - a dress from The Duchess is modeled after this!
Dress with two bodices, ca. 1868. McCord Museum 1860s Fashion, 1860 Fashion, 19th Century Clothing, Silk Fashion, Dress History, Victorian Costume, History Fashion
Dress with two bodices, ca. 1868. McCord Museum
Suit The British aesthetic during the 18th century tended to veer away from the ostentatious French styles being worn at the same time. The textiles were more somber, the silhouettes more simple and the fashions more basic while decoration and elaborate textiles flourished in France. 18th Century Mens Fashion, British Aesthetic, Costume Collection
Suit | British | The Metropolitan Museum of Art
Suit The British aesthetic during the 18th century tended to veer away from the ostentatious French styles being worn at the same time. The textiles were more somber, the silhouettes more simple and the fashions more basic while decoration and elaborate textiles flourished in France.
Evening dress, Nanna Bagge, Stockholm, ca. 1890s. Two-piece pink silk rep embroidered in white and yellow. Hallwyl Museum via Wikimedia Commons 1890s Fashion, Vintage Gowns, Inspiration Mode, Edwardian Fashion
Evening dress, Nanna Bagge, Stockholm, ca. 1890s. Two-piece pink silk rep embroidered in white and yellow. Hallwyl Museum via Wikimedia Commons
Costume for Ganna Walska as Manon Lescaut in Manon, Act III Erté (Romain de Tirtoff) (Russia, active France and United States, 1892-1990) Redfern (attributed to) (Couture house founded England, London circa 1855; Maison Redfern founded France, Paris, 1881-1929) Cots, Manon Lescaut, Viria, Theatre Costumes, Capes For Women, Movie Costumes, Historical Costume, Historical Dresses, Fashion Costume
Costume for Ganna Walska as Manon Lescaut in 'Manon', Act III; Woman's Cape and Petticoat
Costume for Ganna Walska as Manon Lescaut in Manon, Act III Erté (Romain de Tirtoff) (Russia, active France and United States, 1892-1990) Redfern (attributed to) (Couture house founded England, London circa 1855; Maison Redfern founded France, Paris, 1881-1929)
1895, France - Silk ball gown by Mme. Jeanne Paquin Victorian Dresses, 1890s Evening Gown, Dresses 1800, Rose Bertin, Jeanne Paquin, 1900 Fashion, Historic Fashion
The HoopSkirt Society
1895, France - Silk ball gown by Mme. Jeanne Paquin
A mauve/gray changeable silk rove a la polonaise late 1770s with boned, low pointed black panels, internal skirt loops, the sleeves applied with 1770s double tiered embroidered muslin engageants. Posted on Kerry Laylor Auctions. The petticoat they say is a 1770s panel of mauve and green striped silk. 18th Century Womens Fashion, Mauve And Green, Georgian Dress, 18th Century Dresses, 18th Century Gown
One Item - Kerry Taylor Auctions
A mauve/gray changeable silk rove a la polonaise late 1770s with boned, low pointed black panels, internal skirt loops, the sleeves applied with 1770s double tiered embroidered muslin engageants. Posted on Kerry Laylor Auctions. The petticoat they say is a 1770s panel of mauve and green striped silk.
Two-piece dress, ca. 1880s. Silk lined with silk faille. Bodice and overskirt are one piece; tone-on-tone ivory striped skirt is another. Skirt may not be original to bodice overskirt. Bodice trimmed with blush sage silk ribbon and closes in front with buttons made of thread. Period Dresses, Victorian Gowns, 1880s Fashion, Bustle Dress, Printed Dresses
Two-piece dress, ca. 1880s. Silk lined with silk faille. Bodice and overskirt are one piece; tone-on-tone ivory striped skirt is another. Skirt may not be original to bodice overskirt. Bodice trimmed with blush sage silk ribbon and closes in front with buttons made of thread.