Violeta Angelova in The Concert, Suzanne Farrell Ballet, December 2014 - The Farrell dancers were at the top of their game in this hilarious and immensely enjoyable ballet-burlesque. Even more than 60 years since its premier, The Concert still retains its comic brilliance and peculiar charm…

Violeta Angelova in The Concert, Suzanne Farrell Ballet, December 2014 - The Farrell dancers were at the top of their game in this hilarious and immensely enjoyable ballet-burlesque. Even more than 60 years since its premier, The Concert still retains its comic brilliance and peculiar charm…

Josie G. Sadan in KT Nelson’s Dead Reckoning, ODC-Dance

Josie G. Sadan in KT Nelson’s Dead Reckoning, ODC-Dance

Maria Kowroski in George Balanchine’s Diamonds from Jewels, New York City Ballet, April 2014. - The centerpiece of Diamonds is a stately pas de deux for the principal dancers (the statuesque Maria Kowroski and Tyler Angle), filled with imagery that suggests the love and heartbreak of Odette and Siegfried in Swan Lake.

Maria Kowroski in George Balanchine’s Diamonds from Jewels, New York City Ballet, April © Paul Kolnik. The centerpiece of Diamonds is a stately pas de deux for the principal dancers (the.

In the world according to “LAC (After Swan Lake),” a trashy reinterpretation by Jean-Christophe Maillot for Les Ballets de Monte Carlo, there are two types of women: the kind you marry and the kind you sleep with. April Ball’s primal Black Swan is a predator. Her mother, known as Her Majesty of the Night (Maude Sabourin), is even more overheated. – April Ball (Black Swan) in LAC, Les Ballets de Monte Carlo, April 2014. © Dave Morgan

April Ball (Black Swan)

In the world according to “LAC (After Swan Lake),” a trashy reinterpretation by Jean-Christophe Maillot for Les Ballets de Monte Carlo, there are two types of women: the kind you marry and the kind you sleep with. April Ball’s primal Black Swan is a predator. Her mother, known as Her Majesty of the Night (Maude Sabourin), is even more overheated. – April Ball (Black Swan) in LAC, Les Ballets de Monte Carlo, April 2014. © Dave Morgan

Mi a titkom? Valójában a titkom… nem is beszélhetnék róla, mert nem akarom, hogy bárki megtudja, milyen csodálatos vagy… - Németh György – Érintések

Mi a titkom?

Mi a titkom? Valójában a titkom… nem is beszélhetnék róla, mert nem akarom, hogy bárki megtudja, milyen csodálatos vagy… - Németh György – Érintések

Leslie and Melinda Roy on piano - Melinda Roy was a former principal dancer with the New York City Ballet and later artistic director of Gulfshore Ballet in Fort Myers. Her sister Leslie was a former soloist.

Leslie and Melinda Roy on piano - Melinda Roy was a former principal dancer with the New York City Ballet and later artistic director of Gulfshore Ballet in Fort Myers. Her sister Leslie was a former soloist.

Marianela Núñez in Swan Lake, Royal Ballet, Royal Opera House, February 2015 (Photograph by Alice Pennefather)

“Marianela Núñez in Swan Lake, Royal Ballet, Royal Opera House, February © ROH, Alice Pennefather. Nuñez confirmed her indisputable supremacy as the ideal century interpreter of the classic. Her rendition of Odette’s sadness and.

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