Németh György WordPress

Henri Manguin (French, 1874-1949) – Model in a Painter’s Studio c.1900 – Regarded as one of the creators of the Fauve movement, Manguin was influenced by Cezanne: illogical construction, harmonious colour tones, and importance of ornament. Manguin had his own touches in the use of fiery and tumultuous tonal strengths… (Németh György)

Model in a Painter’s Studio

Henri Manguin (French, 1874-1949) – Model in a Painter’s Studio c.1900 – Regarded as one of the creators of the Fauve movement, Manguin was influenced by Cezanne: illogical construction, harmonious colour tones, and importance of ornament. Manguin had his own touches in the use of fiery and tumultuous tonal strengths… (Németh György)

Claude Monet (French, 1840-1926) – The Beach at Trouville, 1870 (Oil on canvas, The National Gallery, London) – The figure to the left is probably Monet’s wife Camille, and the woman reading may be the wife of Eugène Boudin… The painting is unusual in its composition – a close-up of symmetrically disposed figures – and in the bravura of its technique. The white dashes of paint indicating the dress are prominent. They contrast with the shadowed face, probably concealed by a veil, and the…

The Beach at Trouville

Claude Monet (French, 1840-1926) – The Beach at Trouville, 1870 (Oil on canvas, The National Gallery, London) – The figure to the left is probably Monet’s wife Camille, and the woman reading may be the wife of Eugène Boudin… The painting is unusual in its composition – a close-up of symmetrically disposed figures – and in the bravura of its technique. The white dashes of paint indicating the dress are prominent. They contrast with the shadowed face, probably concealed by a veil, and the…

Piet Mondrian (Dutch, 1872-1944) – House on the Gein, 1900 (Watercolor and gouache on paper) – Is a good instance of Mondrian’s manner and ideas around 1900, when he was twenty-eight and had just started painting landscapes in the surroundings of Amsterdam… Typical of the early Mondrian is the loose brush stroke, giving the impression of a direct oil sketch of the subject in the open air. This picturesque touch is characteristic of most of Mondrian’s work during these years...(Németh György)

House on the Gein

Piet Mondrian (Dutch, 1872-1944) – House on the Gein, 1900 (Watercolor and gouache on paper) – Is a good instance of Mondrian’s manner and ideas around 1900, when he was twenty-eight and had just started painting landscapes in the surroundings of Amsterdam… Typical of the early Mondrian is the loose brush stroke, giving the impression of a direct oil sketch of the subject in the open air. This picturesque touch is characteristic of most of Mondrian’s work during these years...(Németh György)

Henri Charles Manguin (French, 1874–1949) – The Nap (The Rocking Chair, Jeanne), c. 1905 (Oil on canvas, Villa Flora, Winterthur, Switzerland) – Manguin, along with Henri Matisse, André Derain, Maurice de Vlaminck, Albert Marquet and Charles Camoin, was a founder and early exponent of the Fauve movement. He had been close friends with Camoin, Matisse, and Marquet since 1895 when they were students of Gustave Moreau at the Ecole des Beaux-Arts. Their camaraderie and shared theoretical…

The Nap

Henri Charles Manguin (French, 1874–1949) – The Nap (The Rocking Chair, Jeanne), c. 1905 (Oil on canvas, Villa Flora, Winterthur, Switzerland) – Manguin, along with Henri Matisse, André Derain, Maurice de Vlaminck, Albert Marquet and Charles Camoin, was a founder and early exponent of the Fauve movement. He had been close friends with Camoin, Matisse, and Marquet since 1895 when they were students of Gustave Moreau at the Ecole des Beaux-Arts. Their camaraderie and shared theoretical…

Frank Bramley (British, 1857–1915): Delicious Solitude, 1909 (Oil on canvas) – Here, a lady absorbed in reading is likely the painter’s wife Katherine… By this stage the painter had completely abandoned the systematic square brushwork of his youth and his handling of the work was more painterly. (Németh György)

Delicious Solitude

Frank Bramley (British, 1857–1915): Delicious Solitude, 1909 (Oil on canvas) – Here, a lady absorbed in reading is likely the painter’s wife Katherine… By this stage the painter had completely abandoned the systematic square brushwork of his youth and his handling of the work was more painterly. (Németh György)

Vincent van Gogh (Dutch, 1853-1890) – Oleanders, 1888 (Oil on canvas) – For Van Gogh, oleanders were joyous, life-affirming flowers that bloomed “inexhaustibly” and were always “putting out strong new shoots.” In this painting of August 1888 the flowers fill a majolica jug that the artist used for other still lifes made in Arles… They are symbolically juxtaposed with Émile Zola’s La joie de vivre… (Nemeth Gyorgy)

Oleanders

Vincent van Gogh (Dutch, 1853-1890) – Oleanders, 1888 (Oil on canvas) – For Van Gogh, oleanders were joyous, life-affirming flowers that bloomed “inexhaustibly” and were always “putting out strong new shoots.” In this painting of August 1888 the flowers fill a majolica jug that the artist used for other still lifes made in Arles… They are symbolically juxtaposed with Émile Zola’s La joie de vivre… (Nemeth Gyorgy)

Josephine Margaret Muntz-Adams (Australian, 1862-1949) – Woman Reading, a Book in the Hand (Oil on canvas) – Muntz-Adams, residing in Melbourne, diverged from standard patterns of taste in her use of a somber palette and free, expressive brushwork. She exhibited internationally, being consistently acclaimed since 1896, but ended her career in relative obscurity… (Németh György)

Woman Reading

Josephine Margaret Muntz-Adams (Australian, 1862-1949) – Woman Reading, a Book in the Hand (Oil on canvas) – Muntz-Adams, residing in Melbourne, diverged from standard patterns of taste in her use of a somber palette and free, expressive brushwork. She exhibited internationally, being consistently acclaimed since 1896, but ended her career in relative obscurity… (Németh György)

John Simmons (British, 1823-1876) – Hermia and Lysander, A Midsummer Night’s Dream, 1870 (Watercolor heightened with gouache on paper laid down on canvas) – Shakespeare’s forbidden lovers Lysander and Hermia travel through the enchanted wood to find safe haven. They find themselves lost and decide to sleep, oblivious to the surrounding multitude of fairies and woodland creatures. Lysander holds Hermia’s ringed finger while touching the loamy moss of the forest floor explaining “One turf…

Hermia and Lysander

John Simmons (British, 1823-1876) – Hermia and Lysander, A Midsummer Night’s Dream, 1870 (Watercolor heightened with gouache on paper laid down on canvas) – Shakespeare’s forbidden lovers Lysander and Hermia travel through the enchanted wood to find safe haven. They find themselves lost and decide to sleep, oblivious to the surrounding multitude of fairies and woodland creatures. Lysander holds Hermia’s ringed finger while touching the loamy moss of the forest floor explaining “One turf…

Antal László Neogrády (Hungarian, 1861-1942) – Love Letter (Oil on cardboard) – Neogrády studied at the School of Model Drawing under Janos Greguss, then at the Munich Academy. He took part in exhibitions from 1888 mostly with his watercolours. Between 1893 and 1931, he taught watercolour painting at the Academy of Fine Arts… (Németh György)

Love Letter

Antal László Neogrády (Hungarian, 1861-1942) – Love Letter (Oil on cardboard) – Neogrády studied at the School of Model Drawing under Janos Greguss, then at the Munich Academy. He took part in exhibitions from 1888 mostly with his watercolours. Between 1893 and 1931, he taught watercolour painting at the Academy of Fine Arts… (Németh György)

Laragh McCann at piano - Vintage lingerie styling, perfectly matching the mood and lighting of the shoot. Romantic ensembles featuring the designs of Eres, Ralph Lauren, DKNY and others. From sheer lace and lightweight knits to kimono-like dressing gowns and vibrant thigh-high stockings, the ensembles are full of charming character... (Németh György)

Laragh McCann at piano

Laragh McCann at piano - Vintage lingerie styling, perfectly matching the mood and lighting of the shoot. Romantic ensembles featuring the designs of Eres, Ralph Lauren, DKNY and others. From sheer lace and lightweight knits to kimono-like dressing gowns and vibrant thigh-high stockings, the ensembles are full of charming character... (Németh György)

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