Fedezd fel ezeket az ötleteket, és még sok mindent mást!

Check out new work on my @Behance portfolio: "Light bike, performance, 2015.Labor galery BP." http://on.be.net/1EYehEQ

Check out new work on my @Behance portfolio: "Light bike, performance, 2015.Labor galery BP." http://on.be.net/1EYehEQ

Light bike 2, with Ferenc Getto, performance, 120 min, Labor Gallery, Budapest, 2014.  This performance was the previous piece rethinking, nevertheless I was cycling to lighten the person who provided the music.

Light bike 2, with Ferenc Getto, performance, 120 min, Labor Gallery, Budapest, 2014. This performance was the previous piece rethinking, nevertheless I was cycling to lighten the person who provided the music.

Francis Alÿs. The Green Line (Jeruzalem, 2004).

Francis Alÿs. The Green Line (Jeruzalem, 2004).

Alud (Landslip) Performance, 2011 (video here) Regina José Galindo   the artist’s words: Water runs.  The body is there, dirty.  The public’s position as observer is replaced by the action of participating and cleansing the body. Motivated, perhaps by some empathy for the unknown individual, hidden behind the mud.

Alud (Landslip) Performance, 2011 (video here) Regina José Galindo the artist’s words: Water runs. The body is there, dirty. The public’s position as observer is replaced by the action of participating and cleansing the body. Motivated, perhaps by some empathy for the unknown individual, hidden behind the mud.

BRINGING IN THE WINE libai 将进酒 李白 on Behance

BRINGING IN THE WINE libai 将进酒 李白 on Behance

Light bike, performance, 120 min, MOS, Krakow, Poland, 2014.  My performance could be seen the opening of the Correspondences and interventions exhibition. The performance was at an absolutely dark room of MOS, where also was the catering. I put some dynamos to my bike and these were connection with a eight meters long led line, that was between food and drink. I provided exclusive light as long as the food and drink, and the visitors run out.

Light bike, performance, 120 min, MOS, Krakow, Poland, 2014. My performance could be seen the opening of the Correspondences and interventions exhibition. The performance was at an absolutely dark room of MOS, where also was the catering. I put some dynamos to my bike and these were connection with a eight meters long led line, that was between food and drink. I provided exclusive light as long as the food and drink, and the visitors run out.

Interesting artist working with science and technology as a medium....

Interesting artist working with science and technology as a medium....

Cabine téléphonique transformée en aquarium - Journal du Design

Cabine téléphonique transformée en aquarium

Cabine téléphonique transformée en aquarium - Journal du Design

Dan Graham — Binocular Zoom

Dan Graham — Binocular Zoom

Photo: Ken Howard/Metropolitan Opera  High tech automated scenery by Robert Lepage

Photo: Ken Howard/Metropolitan Opera High tech automated scenery by Robert Lepage

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