Paris

Collection by Hlinka Zsolt

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Hlinka Zsolt
PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…

PARIS - Zsolt Hlinka

Paris - Hlinka Zsolt

We can discover more scale change in the viewpoint of the photographs immortalizing Paris. One of the pictures shows the city from a bird’s-eye view, the other one from the passer-by’s view and the third one focuses on an architectural part in an almost abstracted way so that we cannot exactly define its real scale. The perspective changes in the same way as the onlooker examines the unknown: first, you see the outline, then you observe the smaller details; you look for systems, networks…